Baby Luka joined the world on July 16th, 2020. Leading up to his birth we prepared. We read books and articles (especially my wife), we learned from our friends, and we got the house ready. Everyone tells you that no matter how much you prepare you have to learn on the job, especially because every baby is unique. This is absolutely the truth.

Six weeks into our journey I am reflecting. This is my way to both remember this moment in time and guide others so that they can be just a little more (mentally) prepared.

I won’t tell you about particular techniques like the 5 Ss or other principles and tactics. There’s plenty of well-documented materials on these subjects already out there. And while I will argue that no amount of books will fully prepare you I do encourage you to read up so that you have a base level understanding. I personally found the courses and books to be informative.


The stuff they say you need and the stuff you later discover

There’s so much stuff that people say you need and we did extensive research prior to our birth date so that we could have the house armed and ready for the little terrorist. We were lucky to receive a ton of hand-me-downs and gifts, and our friends and family helped us understand how all the various tools work.

First, here are all of the items we had ready before the baby arrived:

• Clothes. So many clothes. Too many clothes. Don’t bother buying clothes yourself as this is the number one thing people will hand down to you. Because we don’t like clutter we ended up splitting up the piles of clothing into ages groups, and then boxed and labeled them for a later date.
• Nursery. Yes, get that set up before the baby arrives. In fact, do everything you possibly can before the baby arrives that is within your budget and power. Your future self will thank you, as there will be plenty of surprises down the road. For our nursery we have a crib, dresser, changing table, disposable pads for the changing table, diapers, diaper pail, diaper pail bags, book shelf, books, mobile, white noise machine, swaddles, blankets, burp cloths, futon, medical supplies (rash cream, gripe water, etc.), nail clipper, toys, water wipes, decorated wall with decals, monitor, hamper, pacifiers, and sheets.
• Boba Wrap. It protects your baby like the Cloak of Levitation.
• Boppy Newborn Lounger. Newborns love to be curled up a little, and aren’t stoked when laying flat on their back. This thing is our go-to device for plopping the baby down while we frantically run around the house.
• Pump machine, nursing pillow, nursing bras, pads, etc.
• Bath time stuff. You’ll need something to put them in, soap or shampoo that is baby safe, some sponges, and a baby towel.
• Baby safe laundry detergent
• Stroller and car seat combo plus a diaper bag

More quick reviews.

• The Legend of Zelda: Oracle of Ages (Game Boy Color) - Easily one of the best Zelda titles and arguably the best dungeon design of any Zelda game.
• The Legend of Zelda: Oracle of Seasons (Game Boy) - Playing this back to back with Ages was so much fun. Compared to Ages, Seasons is a bit more action oriented whereas Ages leans more heavily on puzzles.
• Firewatch (PS4) - A simplistically delivered heartfelt story.
• Carrion (Switch) - Repetitive, confusing, boring, and unnecessarily convoluted. One of the worst Metroidvanias ever produced. And to brand this as “horror” is just silly.
• Panzer Paladin (Switch) - It’s got the retro look, fun weapons, and the cool anime inspired cut scenes. Gameplay and level design is where it falls short.
• Curse of the Moon 2 (Switch) - The sequel that satisfied the itch left by the original. And yet still I crave more.
• Mario Land 2 (Game Boy) - It’s intuitive, the power-ups are simple yet fun, you have freedom to chose what order to tackle levels, there’s secret stages, the check points curb any frustration, the water levels don’t suck, and Wario is awesome.
• Castlevania Adventure (Game Boy) - You move like you are walking through mid, there’s no sub weapons, the hit collision on Belmont is unfairly large, you lose whip upgrades with damage, the gap jumps are ridiculously difficult, and the level design feels disconnected from the reality of the environments they are meant to exist in.
• Brothers (PS4) - The mechanics are unique and at first a bit of a brain teaser to get accustomed to as it requires you to multitask in the truest sense of the word. It’s how I imagine drummers feel when they first learn how to play.
• Resident Evil: Gaiden (Game Boy) - Unlike the failed, overly ambitious Game Boy version of the original Resident Evil (an unfinished demo), Gaiden smartly employs a battle mechanic that fits into the simplicity of the hardware. Where it suffers is in the dialogue that seems to have been outsourced to an elementary school student.

I usually don't think to capture a screenshot when deeply immersed in a game. From time to time, however, something strikes me enough and I hit that capture button. Here's just a few of my favorites.

Do you enjoy video game reviews but hate to read? I have you covered with these quick snippets. Enjoy.

• Rygar (arcade) - While (barely) graphically superior to the NES version, the arcade version is inferior in all other ways. Those that enjoyed the NES iteration will recall its Metroidvania like arrangement, multiple points of view, and RPG elements. As one would expect, the arcade experience is much more straight forward than that, as the act of playing a game in an arcade didn't allow for the time and space to support a design with more open exploration. And to compare is unfair. Slugging beasts with the diskarmor in this version brings some joy, but it's the repetitive level design that holds it back.
• Haunted Castle (arcade) - Long story short, this is the arcade version of Castlevania, complete with familiar tropes such as the whipping vampire hunter, horror movie monsters, and Bloody Tears (the song).  Each level is a unique experience, and each ends with a boss to battle with. Check it out if you want to dig deeper into the history of Castlevania.
• Bastion (Switch) - Dull and flavorless.
• Final Fantasy VII Remake (PS4) - It's so much more than a remake. There's so much new content here ranging from the completely reinvented battle system to the story elements. It's a must play.
• Ape Out (Switch) - Simple mechanics and a visual style done right. It's so much fun.

Want more? Check out the previous sets of rapid reviews:
Part I
Part II
Part III
Part IV
Part V
Part VI

Rapid reviews is where I write quick snippets on games I've recently played, and use the word "rapid" as an excuse to justify bad writing. Also check out parts 1-5.
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• Akumajō Densetsu (Famicom) - I decided that for my second play through I should probably play the Japanese version, and mixed things up this time by doing Grant's path followed by acquiring Alucard. I had convinced myself I’d have a more unique and full experience by accepting Alucard over Grant. This resulted in instant regret, followed later by acceptance, and ended in a minor degree of appreciation. 
• Dragon Quest XI (Switch) - Do you know that feeling when you spin up a JRPG and you convince yourself, at the start, that you won't do every little thing so that you won't be playing the same game for hundred of hours? That's exactly what I told myself, and the opposite of what ended up happening.
• The Forest (PS4) - The Forest is like Naked and Afraid but with cannibals. I found that the joy of exploration and building was too frequently interrupted by screaming maniacs. The at first intense, heart-pounding terror manifested into sheer annoyance.
• Battle Princess Madelyn (PS4) - BPM pays homage to Ghouls n Ghosts and the general look and feel of the Genesis. Yet unlike its predecessor, the muddy graphical quality makes it too challenging to see enemies, leading to frustrating moments. The long levels are painful, as starting over after a long run feels grueling and unfair. 
• Resident Evil 3 Remake (PS4) - RE is one of my all time favorite series, and the RE2 Remake was so right on so many levels. Sadly the same cannot be said for the RE3 Remake. Simply put, it's far too short and linear. Linear doesn't have to be a bad word, but in the case of RE3R, linear translates to cheap action and instances of moving beyond an area before fully exploring it (when RE over-indexes on action over exploration the games tend to be less successful). Gameplay wise, RE2R laid an amazing framework, yet the dodge mechanic that was added to RE3R feels almost broken. In terms of replay value, it really is nonexistent, as having upgrades to purchase after completing the game is meaningless if the game is so short and straight forward that there is no desire to revisit. When it comes to Nemesis vs. Mr. X, I found running from Nemesis to less of an immersive impact because the situations are simply less scary and it overall feels way more scripted. Don't get me wrong, I still enjoyed it. I'm not mad, I'm just disappointed.  

Check out parts I-IV for more rapid reviews.
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• Walking Dead: The Final Season (Switch) - I couldn’t help but play this game while thinking about how it was the last for Telltale. It was a bittersweet ending to a unique experience.
• Mana Spark (Switch) - A simple and fairly bland roguelike. While the town dynamic provides a sense of growth and purpose, it lacks a true sense of a unique hook to make it stand out from a sea of similar games.​
• Kid Dracula (Castlevania Anniversary Collection on PS4) - Kid Dracula finally comes to the US. Big, colorful sprites pop, the levels have a smooth flow, and your character grows (gaining magic) as you progress. It’s a neatly packaged platformer that holds up well.
• Ghostbusters (Switch) - There’s a risk in playing a game that’s 10 years old: it’s not recent enough to be cutting edge and it’s not old enough to be retro. And Ghostbusters (the game) is not aging well.
• Castlevania: Fan Edition (NES) - This is one of the many Castlevania hacks, leveraging sprites, music, and mechanics from the first two Castlevania games. This version attempts to recreate the original via a modified experience. I applaud the restructuring vision, namely how the adventure twists and turns through ruins and abandoned towns (Castlevania II is to thank for these assets). The execution, on the other hand, leaves more to be desired (Why are so few enemies from the originals used? Why is the same Dracula battle the end of two levels? Why not add a scared towns person or text to the signs?), as there is a sloppiness to much of the level layout (Why are there random platforms moving under the town that you can’t reach? Why remove the guarantee of whip upgrades when you aren’t fully powered from those candles?), and some unusual bugs (e.g. items constantly falling through floors) that did not exist in the originals.
• Cave Story+ (Switch) - A mild and overrated retro platformer. If there is a semblance of depth and substance later I won’t be sticking around to find out.

Quick reviews of games. Short and sweet.

• Link's Awakening (Switch) — This is easily the cutest Zelda game to date. And with some of the best diegetic sound I’ve experienced in a game. It respectfully doesn’t change up much from the original, providing mostly a facelift, which is all it really needed.
• Castlevania III (NES) — A classic that, until now, I had not played through to the end. The level design is expertly crafted such that a difficult scenario, at first attempt, feels impossible, and through some repetition patterns are unveiled, leaving you washed in the glow of solution discovering excitement. The soundtrack contains some of the absolute best the series has to offer.
• Undertale (Switch) — Silly, weird, playful, funny, odd, surprising, thoughtful, unique.
• Untitled Goose Game (Switch) — What a wonderful jerk this goose is.
• Katana Zero (Switch) — Katana Zero is visually stunning. The tiny characters and environments pack a ton of detail with richly decorated scenes, moody colors, and carefully crafted animations. The gameplay, on the other hand, while occasionally rewarding, requires a bizarre level of precision that frequently results in annoyance. Despite its shortcomings, it’s the mysterious story that kept me coming back for more. After hours of play I got used to the gameplay and mechanics,  and eventually got into a rhythm. There is a richness to this game, in terms of story and mechanics, both of which grew to be increasingly interesting the deeper I progressed.
• Return of the Obra Dinn (Switch) — It has a retro look not well tapped into yet and a unique twist on the mystery and puzzle genres. It's just not for me as I found the task before me to be daunting and stressful, rather than fun.
• Cuphead (Switch) — It’s exactly what I expected: looks great and is really hard. At around the 7th or 8th boss I got frustrated and switched to some other games. After taking a multi-week break I returned, and this time, grinded my way to the end. Defeating a boss in this game is incredibly gratifying, and I felt accomplished when I KOed that last baddie. 
• Odallus: The Dark Call (Switch) — It's rough around the edges. This was not the retro style game I was looking for.
• Control (PS4) — After a few hours my feelings are mixed. It feels unpolished and clunky at times. The battles are repetitive and lack a sense of thrill. Thematically, in terms of the story, it is something that interests me. I just don’t quite enjoy how it is being executed.
• Retro City Rampage (Switch) — I was expecting a GTA 1 / GTA 2 clone and was pleasantly surprised to find something much, much deeper than that. It oozes 80s nostalgia, and mashes up classic characters in unusual and surprising ways.
• Contra 4 (DS) — Contra 4 looks great and is extremely challenging, much like the original (more challenging than the original, in fact). Even with the extra life code I found myself getting destroyed.
• Little Sampson (NES) — Wonderboy meets Mega Man. A diverse set of playable characters and level design makes for a game that sadly was not experienced by the breadth of audience it deserved.
• Blaster Master Zero (Switch) — Poorly crafted level design with meaningless dead ends makes this a hard to love game. Bosses exhibit repetitive patterns and are extremely easy to defeat. While it retained my interest enough to see it all the way through, I can’t recommend it. It’s one of those games I played at a friend’s house on the NES originally, so the nostalgic value is what kept me going. The remake is mostly a face lift with a few other minor improvements, and my biggest beef is in the level and boss design, which carries over from the original. The caves you explore as Jason often have useless dead ends, and at times are completely devoid of anything to discover (you literally just find health and weapon refills that you don’t need). And the bosses can be obliterated with extreme ease. The dialogue is also cringe worthy. It was nice to revisit a childhood game. It just doesn’t have good bones.

TL;DR: It's essentially a 2.5D Symphony of the Night lacking a level of polish that holds it back from greatness.

Performance:
Since I’m playing on PS4 I can’t speak to the frame rate, performance, and resolution issues reported on the Switch. I can say that on PS4 there are many instances in which the frame rate will drop when enemies drop loot, as if the game itself struggles to calculate what the drop will be.

There’s a boss battle deep in the game with an inexcusable performance hit that occurs each time he issues his dozen or so projectiles. The frame rate would drop to about 1 FPS.

Sadly, the game has crashed about 4 times for me. It being rooted in classic game design, this means losing progress since my last save point. What a horrible night to have a game without autosave.

Look:
Some of the environment layouts are rather bland, and that includes many of the first areas of the castle. Entry into the castle is a moment to wow the player, and was a missed opportunity.

There’s an inconsistency to the level of quality in the art, ranging from environments to characters. On one hand you have some incredibly detailed areas, and then you have these low quality tattoo textures on Miriam that are cringe worthy when viewed from the pause menu.

The distinction between art and intractable can be muddy at times. My eyes would need that moment to adjust to many of the environments, taking time to make the distinction between enemy, platform, and background elements. There’s just a level of crispness that gets lost in 2.5D games like this. In contrast, Mega Man 11 was able to pull off this style because of the pops of color.

I wish it was 2D.

Progression:
There were multiple occasions where I felt lost, and I would back track through areas until finally discovering that there was an obscure action I had to perform or item I had to equip. A few more subtle yet helpful nudges would have made me feel less frustrated, and this is coming from someone that has ample experience with metroidvanias.

Gameplay:
Making contact with enemies and other targets, especially with small monsters and lanterns, is an incredible chore. I felt as if I was swinging through small enemies and candles. The weapon collision could be a little more forgiving. This is an area that, design wise, would benefit from a higher level of generosity and refinement. As it stands, swinging at a toad or torch is laborious.

The farther I got in the game the more enjoyable the game became. The combination of the various shards, weapons, and attribute upgrades made me progressively feel more and more like a true badass. 

Audio:
The music, while good, left me with no lasting impression. That is, no desire to revisit it, as I will from time to time with the Castlevania III: Dracula's Curse soundtrack or Bloody tears from Castlevania II: Simon's Quest.

The real pain, in terms of audio, comes from the townspeople that repeat the same lines at noisome. “Kill those murderers dead!”. OK, I said I will, take it easy.

Closing Thoughts:
It’s a good game that is rough around the edges. And it’s faithful to Symphony of the Night, seemingly giving what fans want in the process. I’d love to see a sequel that feels less bound to the classics this title is so strongly tied to, adding more depth to the story and mechanics, and growing beyond its Castlevania origins. This is a great start, so please carry the torch forward.
7/10