Brian Riggsbee
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Revisiting Super Mario 64 After 24 Years

9/23/2020

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In the Summer of 1996 I was 15 years old. One afternoon I wandered into the local Blockbuster (RIP) to browse the used video games they had for sale. That's where I first crossed paths with Super Mario 64 (and the Nintendo 64 for that matter), which was prominently displayed on the large demo machine near the entrance. At this point I had already developed a bias against 3D video games, not because of some perceived, inherent inferiority to two dimensions, but because in their pioneering state they were so aesthetically unappealing. I saw them as a new phase in gaming that simply wasn't ready for consumption. So when I approached the demo and lifted the Nintendo 64 controller I did so somewhat begrudgingly. It took about 5 minutes before I was hooked. Once it arrived at my home I devoted a weekend to acquiring all 120 stars, my eyeballs glued to the screen.

24 years later I revisited SM64 on the Nintendo Switch. Quite quickly the mechanics and acrobatic maneuvers came back to me. And while the blurry textures and blocky world looked even blurrier and blockier than memory, the dated piece that made me cringe and grumble the most was the camera. Back when 3D games started, solving for the camera was always a hot topic, and was so for years. In so many of these early 3D games the camera would collide with walls, zoom in and out unexpectedly, and unhinge left and right as the player traversed through the world. It was a time when providing two camera styles plus the ability to zoom in and out was considered groundbreaking. It made me wonder: If it wasn't for my nostalgic ties to SM64 would I have tossed this relic aside?

While the camera is clearly the worst aspect of SM64, it's the combination of the camera and the looseness of Mario's movements that cause the most pain. This is a platformer, albeit a more open world version of one, and with platforms comes pits. What this translates to is countless perilous moments where I am on the brink of reaching my goal just to end up slipping off a narrow, jagged polygon. I suspect I died just as much 24 years ago as I did with this recent play-through, but the difference is that way back then I interpreted these moments solely as challenging, whereas today I see them as both challenging and frustrating.

Camera and slippery Mario aside, this game is still extremely playable. It's such a delight to control the ninja flipping Mario and to collect stars within the expertly crafted levels. The designers smartly placed a variety of challenges in each course, and while they hint to what star to search for next, they left it up to the player to discover them in the order that they please. And each environment has its own special flare and theme, so moving between courses always feels fresh.  

Next up I have Super Mario Sunshine and Super Mario Galaxy. I'm told that the former has similarly frustrating camera and control problems, and since I have never played either of these games this will be an interesting test to see if I have the patience to play SMS all the way through. Here we go.

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Metroid: Rogue Dawn

9/22/2020

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Metroid: Rogue Dawn is the unofficial, fan-produced prequel to the original Metroid. Unlike most ROM hacks (ugh, there's so many bad Castlevania ones...) this is a high quality experience that takes the foundation it is built upon and expands on it greatly.

Before I get into the details that make this such an excellent game and expansion on the Metroid world, first let’s look at the physical release that I opted for. Purchased from RetroGamesRemastered, an operation that produces physical releases of ROM-hacks and retro gaming rarities, the Metroid: Rogue Dawn print has everything you need to feel like you are back in the 1980s opening a fresh, crisp Nintendo game. Here’s what’s included:
  • Box
  • Manual
  • Map
  • Game
  • Dust cover
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It’s even shrink wrapped so you can feel like it just came off the shelf at your local Toys"R"Us (RIP). The map provides you with the opportunity to take notes for places to revisit, or if you are like me and can’t stomach the thought of defiling the glossy fold out, it’s something you can scan and print copies of before you scribble on to your heart’s desire. The manual is short and sweet, with details on the story, items, and some helpful tips.

As for the game, the attention to details shines:
  • Aran’s helmet comes on and off depending on the environment she is in. Such a simple act of having two looks for Aran does more than add some eye candy. It deepens the sense that you are exploring dangerous, unknown spaces, and all areas are not created equally.
  • Unlike the original, you always start with 99 health (in the original it was only 30). Plus, there are health and ammo refill stations. Having to start each life by farming for health was always a stand out negative in the original Metroid.
  • The twists and turns of the craggy caverns creates a claustrophobic feeling and sense of despair. It truly feels like an alien world.
  • The NES classic, as with many NES games, has some limitations, flaws, and minor bugs that continue to exist in Rogue Dawn and only add to the charm of the experience. For example, there’s noticeable slow down when too many moving objects are on screen, exploding enemies wrap on the edges of the screen, crawling foes will get suck spinning in place if you open a door as they climb over it, and Aran “skates” like Gumby when you turbo fire while running.
  • The story is expanded by text displayed on the backgrounds of some screens, usually representing the speech of a static character on the screen. It’s a simple and cheap solution to add lore and deepen the narrative.
  • The inclusion of a radar and map is a much needed feature for such a maze like world
  • It parallels the original in terms of overall framework, without ever feeling too similar. In other words, you must seek out item upgrades and two remote bosses before proceeding to a final metroid dense area. Even the bosses have similar patterns since much was leveraged here. Yet never does it feel like a copy in any way. It just feels familiar.
  • There's a second quest!

Sadly, the days of Nintendo Power are behind us, where we would seek out hints and tips for NES games. Sure, there's this thing called the internet now, but for a niche ROM-hack like this I didn't see a ton of helpful information published out there. So, without spoiling anything, here are some strategies I found to be quite useful:
  • Instead of exiting an area by backtracking, simply save and then resume. This will place you at the starting position of your current area, and you’ll still retain your health and missiles.
  • Take notes on a printed or hand drawn map. Even with the in-game radar you’ll find yourself getting lost in the intricate labyrinths. And since this is a metriodvania you’ll thank yourself for noting spots to revisit.
  • Recharge stations are plentiful so take advantage of those missiles and use them on the enemies with high hit-points
  • The game becomes much easier when you acquire the Varia Suit as it greatly reduces damage taken. I won’t spoil where it is. Seek it out as early as possible.
  • Bomb everything and look for small spaces to roll through. There are a ton of secret areas not depicted on the radar.

This is a must play for any NES fan. For those that grew up with the NES it will instantly transport you back to your childhood, regardless of if you have a physical copy or not. Next on my list is Another Metroid 2 Remake.
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The Eerie Similarities Between Darkwood and Shelter-In-Place

9/15/2020

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Darkwood is a top-down perspective, horror video game where the protagonist is stuck in a creepy forest of which there is seemingly no way out. He must explore and scavenge for goods while battling horrific creatures. Shelters provide some protection from the demons of the night, and mysterious characters offer clues to his escape.

Whereas shelter-in-place is something we are all too familiar with in this COVID world we are forced to exist in.

I found some striking similarities between this game and our current landscape:
  1. If I venture too far from my shelter I start to feel uneasy
  2. When I come across a stranger I approach with extreme caution
  3. I’m becoming better at crafting random things than I ever anticipated
  4. I spend far too much time sorting my inventory and tossing out junk items
  5. Danger lurks outside and is constantly trying to kill me
  6. A shiny stone in the road is probably the most interesting thing I’ll see today
  7. I fatigue easily
  8. Everyone just seems sad
  9. The air is toxic and there aren’t enough masks to go around
  10. Just when you think you are almost out of the woods you realize you are still lost

I’m only on chapter 2 so I suspect more parallels will unveil themselves later. Stay safe out there everyone.
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Moon: Remix RPG Adventure

9/6/2020

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This is Moon:

Delightfully weird
Occasionally confusing
Surprisingly rewarding
Frequently soothing
Annoyingly cryptic
Pleasantly distracting
Satisfyingly nostalgic
Periodically tedious
Auditorily stimulating
Refreshingly funny
Unusually unfair
Importantly innovative
Endlessly mysterious
Utterly heartwarming

7/10
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    Author

    Brian Riggsbee lives in San Francisco CA. He enjoys gaming, writing, creating art, practicing Brazilian Jiu-Jitsu, chasing adorable dogs, and spending time with his wife and boy.

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